Humphrey Bogart on stage, screen, radio and television
Humphrey Bogart (1899–1957)[1][2] was an American actor and producer whose 36-year career began with live stage productions in New York in 1920. He had been born into an affluent family in New York's Upper West Side,[3] the first-born child and only son of illustrator Maud Humphrey and physician Belmont Deforest Bogart.[1] The family eventually came to include his sisters Patricia and Catherine.[4] His parents believed he would excel academically, possibly matriculate at Yale University and become a surgeon.[5] They enrolled him in the private schools of Delancey, Trinity, and Phillips Academy, but Bogart was not scholarly inclined and never completed his term at Phillips, joining the United States Navy in 1918.[5]
At the completion of his military service, Bogart began working in theatrical productions. He was initially employed as a manager behind the scenes in the plays Experience and The Ruined Lady, before trying his talents on stage in the 1922 play Drifting. A recurring legend about Bogart is that his dialog in the 1925 play Hell's Bells was, "Tennis anyone?", but Bogart dismissed that as a fallacy. His body of stage work included more than a dozen plays, and lasted a little over a decade.
He began to pursue a career in film by 1928, first appearing in the short film The Dancing Town, and in the 1930 short film Broadway's Like That. Bogart appeared in 75 feature films, and initially believed he was on the road to stardom when he secured a 1929 contract with Fox Film. The resulting productions of A Devil with Women, Up the River, A Holy Terror, Body and Soul and Women of All Nations for Fox, as well as Bad Sister for Universal Pictures, were a disappointment to him, and he returned to New York stage work.
Bogart's break-out role was in 197 stage performances as escaped murderer Duke Mantee in the 1935 Broadway theatre production of The Petrified Forest, with actor Leslie Howard in the lead. The play, and his subsequent casting in the movie version, propelled him to stardom, and secured him a movie contract with Warner Bros. He made 48 films for them, including The Maltese Falcon, To Have and Have Not, Key Largo and Casablanca, the latter of which earned Bogart his first nomination for an Academy Award for Best Actor. Bogart won the award for his second nomination, for his 1951 performance in the United Artists production The African Queen. His third Oscar nomination was for his performance in the 1954 Columbia Pictures production The Caine Mutiny.
In addition to his film work, Bogart guest starred on numerous radio and television programs, primarily reprising versions of his film roles. He formed Santana Productions in 1948, with the company's 1950 production of In a Lonely Place chosen by the National Film Registry in 2007 for permanent preservation as "culturally, historically or aesthetically" significant. Santana Productions also created the 1951–1952 Bold Venture half-hour radio series as a vehicle for Bogart and his wife Lauren Bacall.
Broadway theatre (1920–1935)
After Bogart completed his World War I service with the United States Navy, he found theatrical employment in New York. He stage managed the 1920 play Experience, and later became a road manager for The Ruined Lady.[1] When he began to pursue an acting career, his debut role was in the 1922 play Drifting.[6]
He appeared in 18 productions on Broadway, including the role that would propel him to fame and success in the movie industry. January through June 1935, he appeared on the Broadway stage as Duke Mantee in 197 performances of The Petrified Forest. Mantee was a murderer fleeing across the Arizona-Mexico border, to evade capture by law enforcement.[7] Leslie Howard had the lead role of intellectual idealist Alan Squier.[8]
Note that the opening and closing dates of the below productions are not listed. With the exception of The Petrified Forest, the sources do not indicate whether or not Bogart was in the entire run of any production.
Title | Year | Role | Theatre | Notes | Ref(s) |
---|---|---|---|---|---|
Drifting | 1922 | Multiple roles | Playhouse Theatre | [6] | |
Swifty | 1922 | Tom Proctor | Playhouse Theatre | [10] | |
Meet the Wife | 1923 | Gregory Brown | Klaw Theatre | [11] | |
Nerves | 1924 | Bob Thatch | Comedy Theatre | [12] | |
Hell's Bells | 1925 | Jimmy Todhunter | Wallack's Theatre | Popular lore says Bogart delivered the line, "Tennis anyone?" (or similar phrasing) in this play. Bogart denied it, saying his line was, "It's forty-love outside. Anyone care to watch?" | [13] |
Cradle Snatchers | 1925 | Jose Vallejo | Music Box Theatre | [14] | |
Baby Mine | 1927 | Alfred Hardy | Chanin's 46th Street Theatre | [15][16] | |
Saturday's Children | 1927 | Rims O'Neil | Booth Theatre | [17] | |
Saturday's Children | 1928 | Rims O'Neil | Forrest Theatre | [18] | |
Skyrocket | 1929 | Vic. Ewing | Lyceum Theatre | [19] | |
It's a Wise Child | 1929–1930 | Roger Baldwin | Belasco Theatre | [20] | |
After All | 1931 | Duff Wilson | Booth Theatre | [21] | |
I Loved You Wednesday | 1932 | Randall Williams | Sam H. Harris Theatre | [22] | |
Chrysalis | 1932 | Don Ellis | Martin Beck Theatre | [23] | |
Our Wife | 1933 | Jerry Marvin | Booth Theatre | [24] | |
The Mask and the Face | 1933 | Luciano Spina | Guild Theatre | [25] | |
Invitation to a Murder | 1934 | Horatio Channing | Theatre Masque | [26] | |
The Petrified Forest | 1935 | Duke Mantee | Broadhurst Theatre | 197 performances, with Leslie Howard in the lead role of Alan Squier | [8] |
Short films (1928–1930)
Bogart always believed that the future of his profession was ultimately in the burgeoning film industry. After signing with Charles Frohman Productions, he was cast as the male lead opposite stage actress Helen Hayes in a two-reel silent The Dancing Town (1928) for Paramount Pictures.[27] He appeared in a Vitaphone short musical Broadway's Like That (1930), which also featured Joan Blondell and Ruth Etting.[28]
Title | Year | Role | Notes | Ref(s) |
---|---|---|---|---|
The Dancing Town | 1928 | Man in Doorway at Dance | Paramount Pictures Preserved at the UCLA Film & Television Archive |
[29] |
Broadway's Like That | 1930 | Ruth's Fiancé | Soundtrack lost Vitaphone |
[30] |
Feature length films (1930–1956)
He made 75 feature length films in his career. Two serendipitous events helped pave a path for his career ambitions. During the last half of the 1920s decade, the film industry's transition from the silent era to sound films had turned its focus towards stage actors whose vocal talents had been honed in front of live audiences.[31] When the 1929 stock market crash triggered the Great Depression in the United States, funding for stage shows became uncertain.[31] Bogart's brother-in-law Stuart Rose[32] had become an employee of Fox Film, and was able to arrange a screen test for him with Fox executive Al Lewis. After viewing the test, the Hollywood home office of Fox sent Lewis a directive that Bogart was to be signed to a $750 per week contract, with an option of raising it to $1,000 per week if he performed as expected:[31]
I'm going to become the biggest movie star Hollywood's ever seen.
— Humphrey Bogart after signing his Fox contract in 1929[33]
The films made in Hollywood under his Fox contract were A Devil with Women (1930), Up the River (1930), A Holy Terror (1931), Body and Soul (1931), and Women of All Nations (1931). While still in California, he also made Bad Sister (1931) for Universal Pictures. Bogart was less than impressed with the end products, and returned to his stage career in New York.[15]
When Warner Bros. purchased the film rights for The Petrified Forest, Leslie Howard retained the lead role he had held on the Broadway stage, but the studio had replaced Bogart in the role of Mantee with Edward G. Robinson. Howard intervened on Bogart's behalf to secure the role for him.[34][35] Following the success of Bogart's performance in the 1936 film, Jack L. Warner put him under contract for $550 a week, with a morals clause, and financial options which could potentially more than triple Bogart's weekly salary.[36]
He continued to appear in feature films for the rest of his life, and claimed that "at Warner Bros. in the 30s, I became a one-man film factory."[37] He made 48 films for Warner Bros., more than any other studio he was affiliated with. His body of work there included some of his most acclaimed films: Dark Victory (1939), High Sierra (1941), The Maltese Falcon (1941), Casablanca (1942), To Have and Have Not (1944), The Big Sleep (1946), The Treasure of the Sierra Madre (1948) and Key Largo (1948).[38] By comparison, he only made seven films with Fox, five films each with Columbia Pictures and his own Santana Productions, three films for Paramount Pictures, two for United Artists, and one film each for United States Pictures, Universal Pictures, First National Pictures, Samuel Goldwyn Productions, MGM and Walter Wanger Productions.
Bogart created his own Santana Productions in 1948. The company produced Knock on Any Door (1949), Tokyo Joe (1949), And Baby Makes Three (1949) starring Robert Young and Barbara Hale, Sirocco (1951), The Family Secret (1951) starring John Derek and Lee J. Cobb, and Beat the Devil (1951), Bogart's spoof of The Maltese Falcon. The company's production of In a Lonely Place (1950) was added to National Film Registry in 2007, "to be preserved for all time". Inclusion of films in the registry are based on "culturally, historically or aesthetically" significant quality.[39]
List of feature films
Title | Year | Role | Notes | Ref(s) |
---|---|---|---|---|
A Devil with Women | 1930 | Tom Standish | Fox Film | [41] |
Up the River | 1930 | Steve Jordan | Fox Film | [42] |
Bad Sister | 1931 | Valentine Corliss | Universal Pictures distributed through Warner Bros. |
[43] |
A Holy Terror | 1931 | Steve Nash | Fox Film | [44] |
Body and Soul | 1931 | Jim Watson | Fox Film | [45] |
Women of All Nations | 1931 | Stone Deleted scenes |
Fox Film Preserved at the UCLA Film & Television Archive |
[46] |
Big City Blues | 1932 | Shep Adkins | Warner Bros. | [47] |
Three on a Match | 1932 | Harve | Warner Bros. | [48] |
Love Affair | 1932 | Jim Leonard | Columbia Pictures | [49] |
Midnight | 1934 | Gar Boni | aka Call It Murder Universal Pictures |
[50] |
The Petrified Forest | 1936 | Duke Mantee | Warner Bros. | [51] |
Bullets or Ballots | 1936 | Nick "Bugs" Fenner | Warner Bros. | [52] |
Two Against the World | 1936 | Sherry Scott | aka One Fatal Hour Warner Bros. |
[53] |
China Clipper | 1936 | Hap Stuart | First National Pictures | [54] |
Isle of Fury | 1936 | Valentine "Val" Stevens | Warner Bros. | [55] |
Black Legion | 1937 | Frank Taylor | Warner Bros. | [56] |
The Great O'Malley | 1937 | John Phillips | Warner Bros. | [57] |
Marked Woman | 1937 | District Attorney David Graham | Warner Bros. | [58] |
San Quentin | 1937 | Joe "Red" Kennedy | Warner Bros. | [59] |
Kid Galahad | 1937 | Turkey Morgan | Warner Bros. | [60] |
Dead End | 1937 | Hugh "Baby Face" Martin | Samuel Goldwyn Productions | [61] |
Stand-In | 1937 | Doug Quintain | Walter Wanger Productions | [62] |
Swing Your Lady | 1938 | Ed Hatch | Warner Bros. | [63] |
Crime School | 1938 | Deputy Commissioner Mark Braden | Warner Bros. | [64] |
Men Are Such Fools | 1938 | Harry Galleon | Warner Bros. | [65] |
Racket Busters | 1938 | Pete "Czar" Martin | Warner Bros. | [66] |
The Amazing Dr. Clitterhouse | 1938 | "Rocks" Valentine | Warner Bros. | [67] |
Angels with Dirty Faces | 1938 | James Frazier | Warner Bros. | [68] |
King of the Underworld | 1939 | Joe Gurney | Warner Bros. | [69] |
The Oklahoma Kid | 1939 | Whip McCord | Warner Bros. | [70] |
You Can't Get Away with Murder | 1939 | Frank Wilson | Warner Bros. | [71] |
Dark Victory | 1939 | Michael O'Leary | Warner Bros. | [72] |
The Roaring Twenties | 1939 | George Hally | Warner Bros. | [73] |
The Return of Doctor X | 1939 | Dr. Maurice Xavier, aka Marshall Quesne | Warner Bros. | [74] |
Invisible Stripes | 1939 | Chuck Martin | Warner Bros. | [75] |
They Drive by Night | 1940 | Paul Fabrini | Warner Bros. | [76] |
Virginia City | 1940 | John Murrell | Warner Bros. | [77] |
It All Came True | 1940 | Grasselli aka Chips Maguire | Warner Bros. | [78] |
Brother Orchid | 1940 | Jack Buck | Warner Bros. | [79] |
High Sierra | 1941 | Roy Earle | Warner Bros. | [80] |
The Wagons Roll at Night | 1941 | Nick Coster | Warner Bros. | [81] |
The Maltese Falcon | 1941 | Sam Spade | First film appearance of Sydney Greenstreet Warner Bros. |
[82] |
All Through the Night | 1942 | Alfred 'Gloves' Donahue | Warner Bros. | [83] |
The Big Shot | 1942 | Joseph "Duke" Berne | Warner Bros. | [84] |
Across the Pacific | 1942 | Rick Leland | Warner Bros. | [85] |
Casablanca | 1942 | Rick Blaine | Nominated for Best Actor Oscar Warner Bros. |
[86] |
Action in the North Atlantic | 1943 | Lt. Joe Rossi | Warner Bros. | [87] |
Sahara | 1943 | Sgt. Joe Gunn | Columbia Pictures | [88] |
Thank Your Lucky Stars | 1943 | Himself | Warner Bros. | [89] |
Passage to Marseille | 1944 | Jean Matrac | Warner Bros. | [90] |
To Have and Have Not | 1944 | Harry "Steve" Morgan | Lauren Bacall's debut film Warner Bros. |
[91] |
Conflict | 1945 | Richard Mason | Warner Bros. | [92] |
The Big Sleep | 1946 | Philip Marlowe | Warner Bros. Preserved at the UCLA Film & Television Archive |
[93] |
Dead Reckoning | 1947 | Capt. Warren "Rip" Murdock | Columbia Pictures | [94] |
The Two Mrs. Carrolls | 1947 | Geoffrey Carroll | Warner Bros. | [95] |
Dark Passage | 1947 | Vincent Parry | Warner Bros. | [96] |
Always Together | 1948 | Himself | Warner Bros. | [97] |
The Treasure of the Sierra Madre | 1948 | Fred C. Dobbs | Warner Bros. | [98] |
Key Largo | 1948 | Frank McCloud | Warner Bros. | [99] |
Knock on Any Door | 1949 | Andrew Morton | Santana Productions, Bogart's company founded in 1948 Preserved at the UCLA Film & Television Archive |
[100] |
Tokyo Joe | 1949 | Joseph "Joe" Barrett | Santana Productions | [101] |
Chain Lightning | 1950 | Lt. Col. Matthew "Matt" Brennan | Warner Bros. | [102] |
In a Lonely Place | 1950 | Dixon Steele | Santana Productions;added to the National Film Registry in 2007, as "culturally, historically or aesthetically" significant. | [103][39] |
The Enforcer | 1951 | Dist. Atty. Martin Ferguson | United States Pictures Preserved at the UCLA Film & Television Archive |
[104] |
Sirocco | 1951 | Harry Smith | Santana Productions | [105] |
The African Queen | 1951 | Charlie Allnut | Won the Best Actor Oscar United Artists |
[106] |
Deadline – U.S.A. | 1952 | Ed Hutcheson | Fox Film | [107] |
Battle Circus | 1953 | Maj. Jed Webbe | MGM | [108] |
Beat the Devil | 1953 | Billy Dannreuther | Romulus Films Santana Pictures Corporation |
[109] |
The Caine Mutiny | 1954 | Lt. Cmdr. Philip Francis Queeg | Nominated for Best Actor Oscar Columbia Pictures |
[110] |
Sabrina | 1954 | Linus Larrabee | Paramount Pictures | [111] |
The Barefoot Contessa | 1954 | Harry Dawes | Figaro United Artists |
[112] |
We're No Angels | 1955 | Joseph | Paramount Pictures | [113] |
The Left Hand of God | 1955 | James "Jim" Carmody | Fox Film | [114] |
The Desperate Hours | 1955 | Glenn Griffin | Paramount Pictures | [115] |
The Harder They Fall | 1956 | Eddie Willis | Columbia Pictures | [116] |
Miscellaneous and uncredited film appearances (1944–1954)
Occasionally Bogart made a few public fund-raising/patriotic appearances on film. He also appeared in cameos, some uncredited, in a small handful of other films.
Title | Year | Notes | Ref(s) |
---|---|---|---|
I Am an American | 1944 | Produced for Constitution Day | [note 1] |
Report from the Front | 1944 | American Red Cross fund-raising short | [28] |
Hollywood Victory Caravan | 1944 | Victory Bond tour | [28] |
Two Guys From Milwaukee | 1946 | A Warner Bros. film, with Bogart and Bacall cameo uncredited sitting at a table |
[28] |
Always Together | 1948 | Bit part spoof of Stella Dallas, Bogart cameo crying against a window pane. | [28] |
Road to Bali | 1952 | A clip from The African Queen | [28] |
US Savings Bond trailer | 1952 | Bogart urging Americans to buy savings bonds | [28] |
The Love Lottery | 1954 | Uncredited cameo David Niven film for Ealing Studios |
[28] |
Radio and television (1939–1955)
He made numerous radio and television appearances throughout his career. The Lux Radio Theatre was an anthology series featuring adaptations of Broadway plays and film scripts. It was broadcast on the NBC Blue Network (1934–35) (owned by the National Broadcasting Company, later predecessor of American Broadcasting Company [ABC] in 1943–1945); CBS Radio network (Columbia Broadcasting System) (1935–54), and NBC Radio (1954–55).[118]
The Screen Guild Theater (aka Gulf Screen Guild Theater aka Stars in the Air) was a radio anthology series broadcast from 1939 until 1952.[119] Academy Award Theatre was a 1946 radio anthology series featuring adaptations of film scripts.[120] Kraft Music Hall was a radio musical variety show on NBC radio from 1933 to 1949.[121] The Bold Venture half-hour radio series ran for 78 episodes during 1951–1952, and was developed by Bogart's Santana Productions, as a starring vehicle for Bogart and his wife Lauren Bacall.[122]
Program | Episode | Air date | Ref(s) |
---|---|---|---|
Lux Radio Theatre | Bullets or Ballots | April 17, 1939 | [123] |
The Gulf Screen Guild Theater | The Petrified Forest | 1940 | [124] |
The Gulf Screen Guild Theater | If Only She Could Cook | 1941 | [124] |
The Gulf Screen Guild Theater | The Amazing Dr. Clitterhouse | 1941 | [125] |
The Gulf Screen Guild Theater | If Only You Could Cook | 1941 | [124] |
The Screen Guild Theater | High Sierra | January 4, 1942 | [126] |
Jack Benny Radio Program | The Frightwig Murder Case | February 2, 1942 | [127] |
The Screen Guild Theater | Casablanca | 1943 | [128] |
The Screen Guild Theater | The Maltese Falcon | September 20, 1943 | [129] |
Screen Guild Players | High Sierra | 1944 | [130] |
Lux Radio Theatre | Moontide | April 30, 1945 | [131] |
Academy Award Theatre | The Maltese Falcon | July 3, 1946 | [129] |
Lux Radio Theatre | To Have and Have Not | 1946 | [132] |
Jack Benny Radio Program | January 5, 1947 | [133] | |
Kraft Music Hall | November 6, 1947 | [134] | |
Lux Radio Theatre | Treasure of the Sierra Madre | April 18, 1949 | [135] |
Bold Venture | 78-episode series | 1951–52 | [136] |
Stars in the Air (Screen Guild Theater) |
The House on 92nd Street | 1952 | [137] |
Lux Radio Theatre | The African Queen | 1952 | [138] |
Jack Benny television program (CBS -TV) | October 25, 1953 | [139] | |
Producers' Showcase (NBC -TV) | The Petrified Forest | May 30, 1955 | [140] |
Awards and honors
Bogart's first nomination for an Academy Award for Best Actor was for Casablanca (1942),[141] a film that he and co-stars Ingrid Bergman and Paul Henreid initially believed was of little significance.[note 2][143] He was nominated a second time for the award for The Caine Mutiny (1954)[144] before finally winning the Oscar for The African Queen (1951).[145] He posthumously received a star on the Hollywood Walk of Fame in 1960.[146] The United States Postal Service honored Bogart in 1997, at a ceremony at Grauman's Chinese Theatre unveiling Bogart's stamp as part of the postal service's "Legends of Hollywood" series.[147] In 2006, the street in front of his boyhood home was renamed Humphrey Bogart Place.[148]
See also
Notes
- ^ The 16-minute film short was shown in American theaters for "I Am an American Day" (now called Constitution Day). I Am an American was produced by Gordon Hollingshead, also written by Crane Wilbur. Besides Bogart, it featured Gary Gray, Dick Haymes, Danny Kaye, Joan Leslie, Dennis Morgan, Knute Rockne, and Jay Silverheels.[117]
- ^ "Bogart and Paul [Henreid] and especially me believed that Casablanca was a little picture, a waste of our time." [comment from Bergman] p.10. ... "[Bergman] didn't want to be Ilsa in Casablanca. She wanted to be Maria in For Whom The Bell Tolls. And Humphrey didn't really want to be Rick. Ingrid remembered that the only subject they had in common, was how much they both wanted to get out of Casablanca" p. 82 ... "[Henreid] had declined the part of Lazlo, because he felt it wouldn't be a good one for his future career in Hollywood." p.85[142]
References
- ^ a b c Barbour 1973, pp. 11–12.
- ^ Porter 2010, p. 500.
- ^ Fernandez, Manny (June 25, 2006). "You Must Remember This; A Sign Is Not Just a Sign (Published 2006)". The New York Times. Retrieved February 15, 2021.
- ^ Porter 2010, p. 11.
- ^ a b Porter 2010, pp. 11-12, 42-43.
- ^ a b "Drifting". IBDB. Retrieved February 7, 2021.
- ^ "The Petrified Forest". TCM. Retrieved February 7, 2021.
- ^ a b "The Petrified Forest". IBDB. Retrieved February 7, 2021.
- ^ "Humphrey Bogart – Broadway Cast & Staff | IBDB". IBDB. Retrieved February 12, 2021.
- ^ "Swifty". IBDB. Retrieved February 7, 2021.
- ^ "Meet the Wife". IBDB. Retrieved February 7, 2021.
- ^ "Nerves". IBDB. Retrieved February 7, 2021.
- ^ Porter 2010, p. 86.
- ^ "Cradle Snatchers". IBDB. Retrieved February 7, 2021.
- ^ a b Barbour 1973, p. 13.
- ^ "Baby Mine". IBDB. Retrieved February 7, 2021.
- ^ "Saturday's Children". IBDB. Retrieved February 7, 2021.
- ^ "Saturday's Children". IBDB. Retrieved February 7, 2021.
- ^ "Skyrocket". IBDB. Retrieved February 7, 2021.
- ^ "It's a Wise Child". IBDB. Retrieved February 7, 2021.
- ^ "After All". IBDB. Retrieved February 7, 2021.
- ^ "I Loved You Wednesday". IBDB. Retrieved February 7, 2021.
- ^ "Chrysalis". IBDB. Retrieved February 7, 2021.
- ^ "Our Wife". IBDB. Retrieved February 7, 2021.
- ^ "The Mask and the Face". IBDB. Retrieved February 7, 2021.
- ^ "Invitation to a Murder". IBDB. Retrieved February 7, 2021.
- ^ Porter 2010, p. 117.
- ^ a b c d e f g h Barbour 1973, p. 154.
- ^ "The Dancing Town". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ Koszarski 2008, p. 267.
- ^ a b c Porter 2010, p. 129.
- ^ Porter 2010, p. 96.
- ^ Porter 2010, p. 130.
- ^ Porter 2010, pp. 255–256.
- ^ "The Petrified Forest". TCM. Retrieved February 7, 2021.
- ^ Porter 2010, p. 258.
- ^ Porter 2010, p. 269.
- ^ Porter 2010, pp. 481–492.
- ^ a b "Librarian of Congress Announces National Film Registry Selections for 2007". Library of Congress. Retrieved February 7, 2021.
- ^ a b Barbour 1973, pp. 141–153.
- ^ "A Devil with Women". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Up the River". TCM. Retrieved February 7, 2021.
- ^ "Bad Sister". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "A Holy Terror". TCM. Retrieved February 7, 2021.
- ^ "Body and Soul". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Women of All Nations". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Big City Blues". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Three on a Match". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Love Affair". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Midnight". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "The Petrified Forest". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Bullets or Ballots". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Two Against the World". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "China Clipper". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Isle of Fury". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Black Legion". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Great O'Malley". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Marked Woman". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "San Quentin". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Kid Galahad". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Dead End". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Stand-In". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Swing Your Lady". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Crime School". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Men Are Such Fools". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Racket Busters". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Amazing Dr. Clitterhousel". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Angels with Dirty Faces". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "King of the Underworld". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Oklahoma Kid". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "You Can't Get Away with Murder". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Dark Victory". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Roaring Twenties". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Return of Doctor X". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Invisible Stripes". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "They Drive by Night". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Virginia City". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "It All Came True". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Brother Orchid". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "High Sierra". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Wagons Roll at Night". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Maltese Falcon". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "All Through the Night". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Big Shot". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Across the Pacific". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Casablanca". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Action in the North Atlantic". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Sahara". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Thank Your Lucky Stars". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Passage to Marseille". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "To Have and Have Not". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Conflict". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "The Big Sleep". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Dead Reckoning". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Two Mrs. Carrolls". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Dark Passage". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Always Together". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Treasure of the Sierra Madre". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Key Largo". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Knock on Any Door". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Tokyo Joe". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Chain Lightning". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "In a Lonely Place". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "The Enforcer". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Sirocco". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The African Queen". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Deadline – U.S.A." AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Battle Circus". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Beat the Devil". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Caine Mutiny". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "Sabrina". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Barefoot Contessa". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "We're No Angels". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Left Hand of God". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Desperate Hours". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "The Harder They Fall}". AFI Catalog of Feature Films. Retrieved February 7, 2021.
- ^ "I Am An American". TCM. Retrieved January 2, 2020.
- ^ Dunning 1998, pp. 416–418.
- ^ Dunning 1998, pp. 600–601.
- ^ Dunning 1998, p. 4.
- ^ Dunning 1998, p. 386.
- ^ Dunning 1998, pp. 109–110.
- ^ "Radio Classics: Bullets or Ballots rebroadcast". Radio Classics. November 18, 2015. Sirius XM. Channel 148. Retrieved November 18, 2015.
- ^ a b c "Screen Guild Theater .. episodic log". Jerry Haendiges Vintage Radio Logs. Jerry Haendiges Productions. Retrieved February 7, 2021.
- ^ "The Amazing Dr. Clitterhouse". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Screen Guild Theater". Internet Archive. Retrieved November 2, 2015.
- ^ "The Frightwig Murder Case". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ Bogart, Humphrey; Ingrid Bergman, Paul Henreid (1942). Casablanca: The Ultimate Collector's Edition (multi-disc DVD set). Warner Home Video.
- ^ a b Bogart, Humphrey; Mary Astor, Gladys George (1941). The Maltese Falcon 3 Disc Special Edition (multi-disc DVD set). Warner Home Video.
- ^ "Those Were The Days". Nostalgia Digest. 41 (3): 32–39. Summer 2015.
- ^ "LUX RADIO THEATRE: MOONTIDE {HUMPHREY BOGART & VIRGINIA BRUCE} (RADIO)". The Paley Center for the Media. Retrieved February 7, 2021.
- ^ "Bacall & Bogart Lux Theatre Stars". Harrisburg Telegraph. October 12, 1946. p. 17. Retrieved October 1, 2015 – via Newspapers.com.
- ^ "Jack Benny program (Radio program). 1947-01-05". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Kraft Music Hall". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Lux radio theater. Treasure of the Sierra Madre". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ Terrace 2015, p. 49.
- ^ "Those Were the Days". Nostalgia Digest. 35 (2): 32–39. Spring 2009.
- ^ Kirby, Walter (December 14, 1952). "Better Radio Programs for the Week". The Decatur Daily Review. p. 54.
- ^ "Jack Benny television program". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Producers' Showcase". UCLA Film & Television Archive. Retrieved February 7, 2021.
- ^ "Casablanca". TCM. Retrieved February 7, 2021.
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- ^ "Humphrey Bogart". Hollywood Walk of Fame. Retrieved February 7, 2021.
- ^ Boxall, Betina (August 1, 1997). "New Postage Stamp Gives Bogart His Due : Commemorative Issue Honoring Film Legend Unveiled in Hollywood". Los Angeles Times. Retrieved February 7, 2021.
- ^ Fernandez, Manny (June 25, 2006). "You Must Remember This; A Sign Is Not Just a Sign (Published 2006)". The New York Times. Retrieved February 15, 2021.
Bibliography
- Barbour, Alan G. (1973). Humphrey Bogart. New York : Galahad Books. ISBN 978-0-88365-163-6.
- Chandler, Charlotte (2007). Ingrid : Ingrid Bergman, a personal biography. New York: Simon & Schuster. ISBN 978-0-7432-9421-8.
- Dunning, John (1998). On the Air : The Encyclopedia of Old-Time Radio. New York : Oxford University Press. ISBN 978-0-19-507678-3.
- Koszarski, Richard (2008). Hollywood on the Hudson: Film and Television in New York from Griffith to Sarnoff. Rutgers University Press. ISBN 978-0-8135-4552-3.
- Porter, Darwin (2010). Humphrey Bogart : the Making of a Legend. New York : Blood Moon Productions, Ltd. ISBN 978-1-936003-14-3.
- Terrace, Vincent (2015). Radio Programs, 1924-1984: A Catalog of More Than 1800 Shows. McFarland. ISBN 978-1-4766-0528-9.
External links
- "Humphrey Bogart > Filmography". IMDb. Retrieved June 1, 2010.