Let's Start a War

Let's Start a War
Studio album by
Released1983
2001 (reissue)
StudioRevolution Studios, Cheadle Hulme, Cheshire
GenreStreet punk, hardcore punk
Length34:36
LabelPax
Captain Oi! (reissue)
ProducerWattie Buchan, Marcus Featherby
The Exploited chronology
Troops of Tomorrow
(1982)
Let's Start a War
(1983)
Horror Epics
(1985)
Professional ratings
Review scores
SourceRating
AllMusic

Let's Start a War, or Let's Start a War... (Said Maggie One Day), is the third album by Scottish punk band The Exploited, released in 1983 through Pax Records. The title refers to Margaret Thatcher's decision to go to war over the Falkland Islands in 1982, suggesting that she did so almost on a whim. The controversial war was fodder for many protest songs in the punk movement. It was reissued on Captain Oi! Records in 2001, which featured three tracks from their Rival Leaders EP.

Lyrical themes

Being The Exploited's most politically-charged album, the lyrics on the album talk about subjects such as Margaret Thatcher's decision to go to war over the Falkland Islands, anti-war, police-driven riots, war, unemployment and hopelessness.

Despite the album's lyrics questioning the Falklands War, The Exploited later announced on stage at a gig in Argentina that the Falklands were British forever.

Track listing

  • All tracks written by Wattie Buchan and Big John Duncan, unless otherwise stated.

Side one

  1. "Let's Start a War (Said Maggie One Day)" – 3:13
  2. "Insanity" – 4:19
  3. "Safe Below" – 2:17
  4. "Eyes of the Vulture" – 4:01
  5. "Should We, Can't We" – 1:41
  6. "Rival Leaders" – 2:43

Side two

  1. "God Saved the Queen" (Buchan) – 5:43
  2. "Psycho" – 2:01
  3. "Kidology" – 2:09
  4. "False Hopes" (Buchan) – 1:39
  5. "Another Day to Go Nowhere" (Buchan) – 2:31
  6. "Wankers" (Buchan) – 2:37

Personnel

The Exploited
Production
  • Barry Sage and Stewart Picking – engineering, mixing
  • Marcus Featherby – producer
  • Brian Burrows – sleeve remix
  • Mark Brennan – liner notes
  • Mixed at Southern Studios
  • Recorded at Revolution Studios
  • Distributed by Red Rhino and The Cartel



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