Stand-up comedy (Redirected from Stand up comedy)

Stand-up comedy
George Carlin performing in 2008

Stand-up comedy is a comedic performance to a live audience in which the performer addresses the audience from the stage. The performer is known as a comedian, comic, or stand-up. It is usually a rhetorical performance, but many comics employ crowd interaction as part of their routine.

Stand-up comedy consists of one-liners, stories, observations or shticks that may incorporate props, music, magic tricks, impressions or ventriloquism. It can be performed almost anywhere including comedy clubs, comedy festivals, bars, nightclubs, colleges or theaters, however, it is best suited to the controlled environment of a purpose-built comedy club.[citation needed]

History

Stand-up as a Western art form has its roots in the stump speech of American minstrel shows, which featured an actor in blackface delivering nonsensical monologue to the audience. While the intention of stump speeches was to mock African Americans, they also occasionally contained political and social satire. The minstrel show would later influence theatrical traditions of the late 19th and early 20th centuries, such as vaudeville and burlesque.

Charles Farrar Browne (April 26, 1834 – March 6, 1867) was an American humor writer, better known under his nom de plume, Artemus Ward. This character was portrayed as an illiterate rube with "Yankee common sense", also played by Browne in public performances. He is considered to be America's first stand-up comedian.

The first documented use of "stand-up" as a term was in The Stage in 1911, detailing a woman named Nellie Perrier delivering 'stand-up comic ditties in a chic and charming manner', though this was used to describe a performance of comedy songs rather than stand-up comedy in its true modern form.

In The Yorkshire Evening Post on November 10, 1917, the "Stage Gossip" column described the career of a comedian named Finlay Dunn. The article stated that Dunn was "what he calls 'a stand-up comedian'" during the latter part of the 19th century, although the term may have been used retrospectively.

Genres

Bill Bailey performing in 2007

Stand-up has multiple genres and styles with their own formats. Common ones include:

  • Alternative: Intended to counter the established figures of mainstream comedy.
  • Anecdotal comedy: Storytelling using exaggeration and humor
  • Character: A fictional persona created by the performer.
  • Deadpan: AKA dry humor, or dry-wit humor is the deliberate display of emotional neutrality or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness or absurdity of the subject matter.
  • Insult: Consists mainly of offensive insults, usually directed at the audience or other performers.
  • Musical: Humorous songs or musical parody sometimes without lyrics.
  • Observational: Conversation on the absurdities of everyday life.
  • Satire: Ridicule of celebrity, political figures, the establishment, religion or ideology[citation needed]
  • Topical: Framed around a specific topic related to current events or dealing with issues that are important or popular at the current time
  • Wordplay comedy: tends to involve the use of tactics like puns, double entendre, and rhymes to entertain audiences. Thus, delivery tends to be filled with many one-liners.

Stand up performances

Opener, Feature and Headliner

Joan Rivers performing in 2009

The host, compere or emcee "warms up" the audience and introduces the other performers. This is followed by the opener, the feature, then the headliner. The host may also double as an opener for smaller shows. Proven comics can get regular bookings for club chains and comedy venues. Jobbing stand-ups may perform sets at two or more venues on the same day.[citation needed]

Open Mic

Club and small venues often run open mic events; these slots may be booked in advance or left for walk-ins. Comedians use open mics to work on material or to show off their skills to get an opener slot. "Bringer shows" are shows that require amateur performers to bring a specified number of paying guests with them in order to receive stage time.[citation needed]

Festivals

As well as being a mainstay of the comedy circuit, festivals often also showcase up and coming acts, with promoters and agents using the festivals to seek out new talent.

TV specials and albums

Experienced comics with a following may produce a television special or an comedy album. Typically lasting between one and two hours, it may be recorded on tour or at a show advertised and performed specifically for the purpose. A TV special originally released on television, video on demand or even theaters may be re-released as an album on audio CD, LP record or audio streaming.

Comedy Set

Tiffany Haddish, during a performance October 21, 2013, at Incirlik Air Base, Turkey. Sponsored by Armed Forces Entertainment to service members overseas.
Tiffany Haddish performing in 2013

Routine

Stand-up comedians define their craft through the development of routines, constructed and refined by jokes and interconnected "bits." These bits form an interwoven narrative, leading to the "closer," the final joke that ties the show's themes together for a satisfying conclusion.

Most jokes are the juxtaposition of two incongruous things and are made up of the premise, set-up, and punchline, often adding a twist, topper or tagline for an intensified or extra laugh. Delivery relies on the use of intonation, inflection, attitude and timing or other stylistic devices such as the rule of three, idioms, archetypes or wordplay. Another popular joke structure is the paraprosdokian, a surprising punchline that changes the context or meaning of the setup.

In order to falsely frame their stories as true or to free themselves of responsibility for breaking social conventions, comedians can use the jester's privilege, the right to discuss and mock anything freely without being punished. Social commentators have referred to the concepts of "punching up" and "punching down" in attempting to describe who should be the "butt of the joke". This carries the assumption that, relative to the comedian's own socio-political identity, comedy should "punch up" at the rich and powerful without "punching down" at those who are marginalized and less fortunate. Many comedians have criticized the cultural rhetoric concerning "punching up" and "punching down", including Colin Quinn, who described the terms as a product of activism and "not created by humorous people."

Joke Theft

Appropriation and plagiarism are considered "social crimes" by most stand-ups. There have been several high-profile accusations of joke theft, some ending in lawsuits for copyright infringement. Those accused will sometimes claim cryptomnesia or parallel thinking, but it is difficult to successfully sue for joke theft regardless due to the idea–expression distinction.

Audiences

Damon Wayans performing in 2007

According to Anna Spagnolli, stand-up comedy audiences "are both 'co-constructors of the situation' and 'co-responsible for it' ".

In stand-up comedy, an unspoken contract with the audience allows for the exploration of unexpected, controversial, or scandalous subjects. The reception of a joke, whether met with laughter or disapproval, hinges on the audience's understanding of the premise and appreciation of the punchline.

Stand-up comedy, distinct from traditional performing arts, features a lone comedian directly engaging the audience. The success hinges on creating spontaneity, fostering intimacy, and deterring heckling.

Part of the appeal of stand up is in appreciation of the skill of the performer, most people find the idea of standing on stage extremely daunting; research on the subject has consistently found that the fear of public speaking is more intense than the fear of dying.

The audience is integral to live comedy, both as a foil to the comedian and as a contributing factor to the overall experience. The use of canned laughter in television comedy reveals this, with shows often seeming "dry" or dull without it. Shows may be filmed in front of a live audience for the same reason.

Terms

Bridget Christie performing in 2016
Beat
A pause specifically to create comic timing.
Bit
A section within a comedy show or routine.
Bombing
Failing to get laughs.
Callback
A reference to a joke earlier in the set.
Chewing the scenery
Being overly theatrical or "trying too hard" to get a laugh, especially when failing.
Chi-chi room
The ritzy room of a nightclub or a comedy club with niche performances.
Clapter
When the audience cheers or applauds an opinion that they agree with, but which is not funny enough for them to laugh at. Coined by Seth Meyers.
Corpsing or breaking
When the comedian laughs unintentionally during a portion of the show in which they are supposed to keep a straight face.
Crowd work
Talking directly with audience members through prewritten bits, improvisation or both.
Hack
A clichéd or unskilled comic.
Killing and dying
When a stand-up does well, they are killing. If they are doing poorly, they are dying.
Mugging
It involves pulling silly faces to elicit a cheap laugh, often relying on exaggerated expressions and physical gestures. This comedic technique aims to generate amusement through visual absurdity and can be employed by performers to enhance the comedic impact of their delivery.
Punter
A member of the audience. Primarily a British term.
The room
The space where the performance takes place. Stand-ups can "read the room" to interpret signs from the audience or "work the room" by interacting with the audience directly.
Smelling the road
Claiming that one can "smell the road" on a comedian suggests they have compromised their originality or pandered to get laughs while touring.
Tight five
A five-minute routine that is well-rehearsed and consists of a comedian's best material that reliably gets laughs. It is often used for auditions and is a stepping stone to getting a paid spot.
Warm up
To warm up a "cold" audience during the opening act before the main show. Often used at the filming of television comedies in front of studio audiences.
Work out
The process in which brand new jokes are introduced and polished over time.

Records

Phyllis Diller holds the Guinness World Record for most laughs per minute, with 12.

Taylor Goodwin holds the Guinness World Record for most jokes told in an hour with 550.

Lee Evans sold £7 million worth of tickets for his 2011 tour in a day, the biggest first-day sale of a British comedy tour.

Peter Kay

British comedian Peter Kay currently holds multiple records for his 2010-2011 show The Tour That Doesn't Tour Tour...Now On Tour on a 112 date UK & Ireland arena tour.

  • Longest individual run at the Manchester Arena performing 20 nights.
  • First ever stand-up comedian to play 15 sold out nights at The O2, London.
  • The only British artist to ever play 20 consecutive nights at an arena.
  • Over 1.2 million tickets sold in arenas across the UK and Ireland, making it the biggest stand-up comedy tour of all time.

See also


This page was last updated at 2024-01-23 20:42 UTC. Update now. View original page.

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