Year
|
Original German
|
English Translation
|
1933
|
Kierkegaard: Konstruktion des Ästhetischen, GS 2.
|
Kierkegaard: Construction of the Aesthetic, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1989)
|
1944/1947
|
with Max Horkheimer, Dialektik der Aufklärung: Philosophische Fragmente, GS 3
|
with Max Horkheimer, Dialectic of Enlightenment, trans. by Edmund Jephcott (Stanford: Stanford University Press, 2002)
|
1947
|
with Hanns Eisler, Komposition für den Film
|
with Hanns Eisler, Composing for the Films (New York: Continuum, 2005)
|
1949
|
Philosophie der neuen Musik, GS 12
|
Philosophy of New Music, trans. by Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 2006)
|
1950
|
|
with Else Frenkel-Brunswik, Daniel J. Levinson, R. Nevitt Sanford, The Authoritarian Personality (New York: Harper & Brothers, 1950)
|
1951
|
Minima Moralia. Reflexionen aus dem beschädigten Leben, GS 4
|
Minima Moralia: Reflections from Damaged Life, trans. by Edmund Jephcott (London: NLRB, 1974)
|
1952
|
Versuch über Wagner, GS 13
|
In Search of Wagner, trans. R. Livingstone, London: NLB, 1981
|
1955
|
Prismen. Kulturkritik und Gesellschaft, GS 10.1
|
Prisms, trans. S. Weber and S. Weber (Cambridge, Massachusetts: MIT Press, 1981)
|
1956
|
Zur Metakritik der Erkenntnistheorie. Studien über Husserl und die phänomenologischen Antinomien, GS 5
|
Against Epistemology: A Metacritique; Studies in Husserl and the Phenomenological Antinomies, trans. W. Domingo (Cambridge, Massachusetts: MIT Press, 1982)
|
1956
|
Dissonanzen. Musik in der verwalteten Welt
|
|
1958
|
Noten zur Literatur I GS 11
|
Notes to Literature I, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1991)
|
1959
|
Klangfiguren. Musikalische Schriften I, GS 16
|
Sound Figures, trans. Rodney Livingstone (Stanford: Stanford University Press, 1999)
|
1960
|
Mahler. Eine musikalische Physiognomie, GS 13
|
Mahler: A Musical Physiognomy, trans. S. Weber Nicholsen (Cambridge, Massachusetts: MIT Press, 1993)
|
1961
|
Noten zur Literatur II GS 11
|
Notes to Literature II, ed. R. Tiedemann, trans. S. Weber Nicholsen, (New York: Columbia University Press, 1992)
|
1963
|
Drei Studien zu Hegel GS 5
|
Hegel: Three Studies, trans. S. Weber Nicholsen (Cambridge, Massachusetts: MIT Press, 1993)
|
1963
|
Eingriffe. Neun kritische Modelle, GS 10.2
|
Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998)
|
1963
|
Quasi una fantasia. Musikalische Schriften II, GS 16
|
Quasi una Fantasia, trans. Rodney Livingstone (London: Verso, 1992)
|
1964
|
Jargon der Eigentlichkeit. Zur deutschen Ideologie, GS 6
|
The Jargon of Authenticity, trans. K. Tarnowski and F. Will (London: Routledge & Kegan Paul, 1973)
|
1964
|
Moments musicaux. Neu gedruckte Aufsätze 1928–1962, GS 17
|
In Night Music: Essays on Music 1928-1962, trans. Wieland Hoban (New York: Seagull Books, 2009)
|
1966
|
Negative Dialektik, GS 6
|
Negative Dialectics, trans. E. B. Ashton (New York: Seabury Press, 1973)
|
1968
|
Berg. Der Meister des kleinsten Übergangs, GS 13
|
Alban Berg: Master of the Smallest Link, trans. J. Brand and C. Hailey (New York: Cambridge University Press, 1991)
|
1969
|
Stichworte. Kritische Modelle 2, GS 10.2
|
Critical Models: Interventions and Catchwords, trans. H. W. Pickford (New York: Columbia University Press, 1998)
|